RECAP: Carnival of the Animals

Who knew classical music could get so wild? Camille Saint-Saëns had a gift for telling narratives through music, and if you went to Louis Lortie performs Saint-Saëns’ Piano Concerto No. 2, you probably noticed the jungle of sounds from Carnival of the Animals.

We slithered into the rehearsal of this lush work to capture some of the best moments! Listen to each one to see if you can hear these incredible beasts.

There’s something fishy about this glittery piece of music! Which animal does this remind you of?

Cuckoo! Which bird does this song remind you of?

Is there anything more romantic than this swan song?

Which beautiful lumbering beast do you think this elegant waltz was written for?

This song tickles our funny bone! You can hear the musical tapping of bones in this piece about fossils.

Can you imagine turtles doing the cancan? Camille Saint-Saëns could!

No musical menagerie would be complete without an aviary.

BONUS VIDEO: During this rehearsal, we caught a glimpse of Saint-Saëns’ regal Symphony in F Major. Take a look at it here.

 

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Weekend review: Saint-Saëns’ “Organ” Symphony

We don’t expect this weekend to be boring. In addition to performing (and recording!) Saint-Saëns’ “Organ” Symphony, we have an incredible guest appearance by Paul Jacobs, the only organ player to date to ever receive a Grammy Award for his work.

Prepare for this weekend by listening to this Classical 89 broadcast:

You can also learn more about Paul Jacobs and this performance from this article from the Deseret News:

It’s been 17 years since Paul Jacobs expressed his passion for the organ through an unparalleled feat: playing nonstop for 18 hours.

Well, he did take a few minutes here and there to drink some water and eat a cup of chocolate pudding.

But the remaining 17 hours and change were devoted to performing the complete organ works of J.S. Bach — Jacobs’ way of commemorating the 250th anniversary of the composer’s death.

The event took place the summer following his last year as an undergraduate student at Philadelphia’s Curtis Institute of Music, where all students are accepted on full scholarship. Of his own will, Jacobs tirelessly performed a concert that kicked off at 6 a.m. and ended shortly after midnight.

“I think anybody would think it was crazy, and I’m not sure I would ever attempt this again, but I’m so glad when I was that age that I decided to proceed with the idea because the music was the sustenance carrying me through the day,” Jacobs said in a recent interview. “Scores of people were introduced to the organ music of Bach. … It gave me the energy and resilience so much so that I was unaware of any fatigue until the conclusion of the performance. The spiritual force of the music sustained me.”

Get your tickets for this weekend’s concert here.

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