Professional musicians often spend much of their lives on the road performing in concert venues around the globe. Amid the hectic travel schedules, rehearsals, practice time and adjustments to a different time zone, culture and climate, regular routine is sacrificed. We ask our guest artists to share what pre-concert rituals help keep them grounded. Here is what Patricia Kopatchinskaja who will perform with us in Fischer conducts Beethoven’s Fifth had to say about her pre-concert ritual.
The performing artist has to present a work of art. Her duty is to give this work the maximum of impact. To achieve this, the performer has to channel all her energies, all her talents, power, and personality into this performance. One could say that the performer has somehow to ‘become’ the piece.
Of course, the performer has to know the piece: its score, its history. She has to have the technique ready, which is the task of a lifetime. But most important is to carry in her heart and mind — her very personal and unrepeatable vision of the piece.
On performance day I try to avoid any distraction: no telephones, no visits, no interviews, no photo sessions, no bad news. On a nice day after breakfast I might jog outside for half an hour and then I might practice perhaps for half an hour, but one never should expend too much energy because it will be needed in the evening. The most important is the nap in the afternoon. There will perhaps be a stage or a microphone rehearsal but normally I just stay in the artist room and concentrate. I cannot eat before concerts, but I need half a banana and something to drink. And then I am ready for battle…
See what else Patricia had to say about her work here.