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02 Nov 2015

TRIO series: the Percussionist

Music describes perfectly the indescribable. All those emotions and feelings, the magical and extremely personal relationship we all have with the music of our choice and tastes, these are things of defining beauty and wonder for the human race, and are without penalty nor discrimination. —Colin Currie

Colin Currie

Visiting percussionist Colin Currie grew up in Edinburgh and continued studies in London, where he currently lives. The internationally renowned percussionist says that he has always loved the drums, but it was around the age of 13—upon first encountering the symphony orchestra—that he decided to devote his life to classical music, percussion, and contemporary composers.

“It was my goal from that time to contribute to the solo repertoire for my instruments, especially in the area of significant works of adventure, dignity, and longevity,” says Colin.

Colin admits to recognizing that a life of music might entail sacrifices to achieve the things he believed in, but the experience has been an enriching one that has allowed his musical life to be sustained by his career, and vice versa. He sees every premier he gives as potentially a cause to celebrate the wealth of percussion music.

“I have been very lucky to meet and work with the truly outstanding writers of our time, and I delight in introducing the thoughts and insight these composers bring to percussion. There have been too many highlights to pick and choose names, but this latest addition by Andrew Norman will be no exception. We will certainly be in a celebratory place on the occasion of this premiere!” Colin says.

Colin Currie

A life devoted to music is certain to have many memories of moments influenced by it. For Colin, he recalls hearing Stravinsky’s “Rite of Spring” for the first time, as well as string quartets by Bela Bartok and Benjamin Britten. Another moment that stands out to him happened when he was 15.

“The first time I ever performed a concerto was a very affecting experience. I performed the Panufnik “Concertino” with the London Symphony Orchestra. It was early days for both me and the repertoire but I caught ‘the bug’ immediately,” says Colin.

Since those early days, Colin has appreciated the way in which life can be celebrated and enriched through music.

“Existing in real time, music also traces one of the greatest mystery of existence: the transition from one moment to the next. The closer we get to music, the more beautiful and magical it becomes.”

By Autumn Thatcher


Stay tuned for our next TRIO series’ article on the Utah Symphony timpanist, George Brown.